For the non-academics out there, a vita is a super resume. It is a list of what one has done in one's life and profession, all in chronological order. Mine is up to thirteen pages long. I encourage my students to start creating their vitae while they are in college or in their early 20's since doing it as I did in my 40's from all those boxes of old programs is really the hard way. Not only do you have to create it, but you have to update it regularly.
Now that I'm not singing as much as I used to, I've decided to post some of my roles and concerts so that you can see when, where, and what I've performed. There are not a lot of famous places listed here. I was always more interested in getting to do music than in getting to do it with famous people or in famous places.
Oratorio Soloist
Cantata 140 Decatur Presbyterian Church, 1985
Singers, Duluth, 1989; Masterworks Chorale, St. John’s
Lutheran Church, Atlanta, 1988; Second Ponce de Leon
Baptist Church of Atlanta, 1985; William Noll Chorale,
1983; Rome (GA) Symphony Orchestra, 1980; First
Presbyterian Marietta, 1979; Druid Hills UMC, 1976
Great Britain; and Festival of the Fine Arts Sacred
Music Concert, Brenau University, April 17, 2002
SC; First Presbyterian Church of Marietta; and St.
Matthew Lutheran, Atlanta, 1981; St. Bede’s
Episcopal Church, Good Fridays, 1997-2002
Opera, Operetta, and Musical Theater
Judith in Bartok’s Bluebeard’s Castle (1997, Brenau OPERA)
Mme. Altina in Pasatieri’s La Divina (1997, Brenau OPERA)
Mother in Humperdinck’s Hansel and Gretel (1995, Brenau OPERA)
Mme. Southernbell in Mozart’s The Impresario (1995, Onyx Opera-Atlanta)
Mme. Hertz in Mozart’s The Impresario (1985, 1990-91, Atlanta Opera Studio)
Marcellina in Beethoven’s Fidelio (1983, Candler Concert Series, Emory University)
Fiordiligi in Cosi fan tutte (1982, West Georgia College Opera Workshop)
Rosalinda in Johann Strauss’s Die Fledermaus (1981, West Georgia College Opera Workshop)
Iolanthe in Gilbert and Sullivan’s Iolanthe (1981, Southeastern Savoyards)
Constanze in Mozart’s The Abduction from the Seraglio (1981, Atlanta Repertory Opera)
The Queen of the Night in Mozart’s The Magic Flute (1979, West Georgia Opera Workshop)
La Messengera in Monteverdi’s Orfeo (1978, Emory Opera Theater )
Frasquita in Bizet’s Carmen (1978, The Atlanta Opera)
Lady Thiang in Rogers & Hammerstein’s The King and I (1977, DHPC, Atlanta)
Perichole in Offenbach’s La Perichole (1975, Phoenix Opera, Atlanta)
Marenka in Smetana’s The Bartered Bride (1974, Phoenix Opera, Atlanta)
Giulietta in Offenbach’s The Tales of Hoffman (1971, Emory Opera Theater)
Queen in the medieval Play of Daniel (1971, Emory Opera Theater)
Despina in Mozart’s Cosi fan tutte (1970, Emory Opera Theater, Atlanta)
Gossip in Britten’s Noye’s Fludde (1968, Glenn Memorial U.M.C., Atlanta)